Author: Rachel Karl

  • Am I Too Old to Write a Book? Why It’s Never Too Late to Start (or Finish)

    Am I Too Old to Write a Book? Why It’s Never Too Late to Start (or Finish)

    If you’ve ever asked yourself, “Am I too old to write a book?”—you’re not alone.
    But here’s the truth:
    Your age isn’t a limitation. It’s an advantage.

    Some of the most celebrated and bestselling authors didn’t start publishing until their 40s, 50s, 60s—or even later. So if you’ve been wondering whether you’ve missed your chance, I want you to know this:

    You are right on time.

    I Didn’t Publish My First Book Until My Late 30s

    I had been writing for most of my life. Journals, short stories, full-length novels for fun… but publishing? That was another story.

    Something about publishing felt scarier. More real. More exposed.

    When I finally got the idea for the book I knew I had to publish—back in 2008—I didn’t leap into action. I froze.

    I spent over a decade spinning my wheels.
    Writing scenes, doing research, re-editing the same chapters over and over.
    Telling myself every January: “This will be the year I finally write my book.”

    And every December, I’d look at that unchecked resolution and feel like a failure.

    I thought I was too behind. Too overwhelmed. Maybe even too late.

    But I wasn’t. And neither are you.


    Late-Blooming Authors Who Prove It’s Never Too Late

    Need some inspiration? Let’s talk about a few well-known writers who didn’t publish their first book until midlife—or beyond:

    • Laura Ingalls Wilder published her first Little House book at age 65.
    • Frank McCourt won the Pulitzer Prize for Angela’s Ashes at 66.
    • Raymond Chandler published his debut novel at 51.
    • Toni Morrison released her first novel at 39, and later became a Nobel Laureate.

    Writing isn’t just for the young and wild. It’s for the wise. The experienced. The people who’ve lived enough life to have something worth saying.

    And that includes you.


    Why Your Age Is an Asset (Not a Barrier)

    Here’s why starting later in life might actually make you a better writer:

    1. You Know Who You Are

    You’re not trying to find your voice—you’ve lived it. Your experiences have shaped you. Your values are clearer. And you have perspective most 20-something writers just don’t.

    2. You Have Stories Worth Telling

    You’ve survived heartbreak, loss, success, reinvention. You’ve learned hard lessons. You’ve experienced love and grief and joy and failure. That richness? That’s gold for storytelling.

    3. You’re More Disciplined Than You Think

    You’ve raised kids. Built a career. Paid bills. Handled crises. If you can survive that, you can absolutely write a book.


    Why Now Is the Time

    You don’t need to wait for “the right time.” Here’s why it’s never been easier—or more important—to start now:

    ✅ Self-Publishing Has Changed Everything

    You no longer need to beg for a book deal. With the right help, you can publish professionally and powerfully—on your own terms.

    ✅ Technology Makes It Simple

    You can write, format, and publish your book using tools you already have on your laptop. It’s never been more accessible.

    ✅ There’s a Reader Waiting for Your Story

    You might not realize it, but there’s someone out there who needs your message. Your experience. Your words. You may never meet them—but your book could change their life.


    What Support Really Looks Like

    When I was stuck for over 10 years, I kept thinking: “If I just had more time, I’d finish my book.”

    But time wasn’t the issue.

    I needed structure. I needed a roadmap. I needed someone in my corner.

    In 2019, I finally gave myself the gift of focus. I booked a solo trip to Iceland and Ireland—two places I’d always dreamed of visiting—and gave myself 10 days to finish my manuscript.

    And I did it.

    It wasn’t perfect. It wasn’t pretty. But it was DONE.

    That single messy draft turned into my first published book.

    Six months later, we lost my dad to cancer. He was gone so fast. He had two books inside him—books he never got to write. And that changed everything for me.

    It became my mission: to make sure no one dies with a story still inside them.

    Now, four published books later (plus several ghostwritten ones), I get to help hundreds of aspiring authors every year finally write their books.


    You’re Not Too Old. You’re Just Getting Started.

    If you’re hearing the whisper: “I think I have a book in me…”—listen to it.

    If you’ve been putting it off because life got busy, or the timing didn’t feel right, or you were waiting for some big sign—this is your sign.

    It’s not too late. You’re not behind. You just need support to help you take that first step—and keep going.


    💬 Here’s What Working With a Coach Can Do:

    I wish I had someone like that when I was floundering, doubting, over-researching, and second-guessing myself for 10+ years.

    You don’t have to go through that alone.


    ✨ Let’s Write Your Book Together

    If you’re ready to finally start or finish your book, I’d love to help.

    I’ve opened up a few spots on my calendar this week for Free Book Breakthrough Calls—no pressure, no pushiness. Just a chance to talk about your book idea and what it would look like to work together to bring it to life.

    And unlike most author coaches who charge $5K or $10K just to get started, I offer real support that’s accessible and personal.

    Because your story matters.

    And it’s time.

    👉 Click here to book your free Book Breakthrough Call

  • 7 Proven Ways to Overcome Imposter Syndrome as a Writer (And Finally Finish Your Book)

    7 Proven Ways to Overcome Imposter Syndrome as a Writer (And Finally Finish Your Book)

    If you’ve ever thought, “Who am I to write a book?” you’re not alone.
    That exact thought has haunted even the most celebrated authors in history.

    So if you’re staring at a blinking cursor, doubting your every word, wondering whether your story matters—take a deep breath.

    You’re in very good company.

    When I Couldn’t Finish My Own Book

    For years, I mentored other writers. Dozens of them. I knew the craft. I knew the process. But when it came to my book—my personal, vulnerable story—I froze.

    Why?

    Because imposter syndrome doesn’t care how experienced you are.

    It shows up when you’re trying to share something that matters. It shows up when the stakes feel personal. It shows up when your story could change your life—and someone else’s.

    Imposter syndrome doesn’t say, “You’re not talented.”
    It whispers, “You’re a fraud. And someone’s going to find out.”

    But the good news? You can beat it.

    Here are 7 proven ways to overcome imposter syndrome as a writer so you can finally finish your book.


    1. Embrace the Messy Middle

    Imposter syndrome thrives when we expect perfection right out of the gate.

    Writing a book isn’t a straight line. It’s a loop, a spiral, a messy climb. That’s normal. That’s healthy. Anne Lamott calls your first draft a “sh*tty first draft” for a reason.

    Give yourself permission to be messy. You can’t fix a blank page—but you can revise a messy one.


    2. Write for One Reader (Not Everyone)

    One of the fastest ways to trigger imposter syndrome is trying to write for everyone.

    Forget “the market.” Forget your future readers, publishers, or critics. Write for one person. Someone who needs your story. Someone who would be comforted, inspired, or transformed by it.

    If that person exists, then your book deserves to be written.


    3. Start With a Hook (Even If You Don’t Know the Ending)

    Overthinking can paralyze you. One way I help my students break through is by teaching them how to start with a hook—a single line or story element that immediately grabs attention.

    (If you’re stuck on this, you’ll love the free Hooks Vault I created—75+ proven hooks to get you unstuck fast.)

    Once you hook the reader—and yourself—it’s much easier to keep going.


    4. Reframe “Who Am I?” Into “Who Else But Me?”

    When I was stuck, I kept asking:
    “Who am I to write this story?”

    But eventually, I realized:
    “Who else but me?”

    No one else had lived my life. No one else had my voice, my experiences, or my perspective. If I didn’t tell this story, no one would.

    And once I owned that truth, the words started to flow.


    5. Take Imperfect Action Every Day

    Imposter syndrome thrives on delay. Every day you wait is another day the fear grows.

    Instead, commit to tiny, imperfect actions.

    📌 Write 100 words.
    📌 Jot down your chapter titles.
    📌 Record a voice memo with an idea.

    The goal isn’t perfection—it’s progress. Momentum quiets the critic.


    6. Celebrate Small Milestones

    Finished a chapter? Celebrate it.
    Wrote 500 words today? Celebrate that too.

    Imposter syndrome feeds off feeling behind. The antidote is acknowledging what you’ve already done.

    Inside 30 Day Author, I teach students how to track wins and build daily momentum—because success builds upon itself.


    7. Learn From Authors Who Kept Going

    Need more proof that imposter syndrome affects even the greats?

    • Neil Gaiman once shared that he felt like he was “getting away with something” every time he published a book.
    • Sylvia Plath filled her journals with entries about feeling not good enough—yet she became a literary icon.
    • Stephen King threw Carrie in the trash. His wife pulled it out and told him to keep going.

    They didn’t succeed because they felt confident.
    They succeeded because they kept going, even when they didn’t.


    My Journey: From Stuck to Published

    It took me over a decade to finish my first book. Ten years of rewriting the same chapters. Ten years of comparing myself to other authors. Ten years of wondering if I was good enough.

    And then in 2019, I took a solo trip to Iceland and Ireland.

    Ten days. Just me and my story.

    I wandered by day and wrote by night. And by the end of that trip? I finished my manuscript.

    Was it messy? Yes.
    Did it need work? Absolutely.
    But it was DONE.

    Since then, I’ve published four books, ghostwritten several more, and helped 500+ authors get their stories out into the world.

    And you know what I regret most?

    Not starting sooner.


    If You’re Ready to Beat Imposter Syndrome, Start Here

    Inside 30 Day Author, the very first lesson is all about overcoming imposter syndrome. I teach you how to:

    ✅ Silence the inner critic
    ✅ Reframe your mindset
    ✅ Build real, daily momentum

    You don’t need a fancy writing degree.
    You don’t need to be fearless.
    You just need the right roadmap—and someone who believes in you until you believe in yourself.


    ➡️ Ready to finally write your book?
    Start with a system that’s helped hundreds of authors finish faster than they thought possible.

    👉 Click here to join 30 Day Author

  • How to Overcome Self-Doubt as a Writer (Even If You’ve Been Stuck for Years)

    How to Overcome Self-Doubt as a Writer (Even If You’ve Been Stuck for Years)

    Self-doubt is the #1 killer of unfinished books. But what if it isn’t fear of failure that’s holding you back? What if it’s fear of success?

    The Idea That Changed Everything

    In 2008, during an unexpectedly quiet Christmas in Oregon, I had the moment.

    Instead of traveling for the holidays, we were snowed in. Just me, my husband, and our three kids. We drank Irish coffees (just the grownups!), went snow tubing, and made memories. And in that forced stillness, something cracked open.

    An idea came to me. Not just any idea. The book. The one I knew I had to publish.

    And that knowing didn’t motivate me. It paralyzed me.

    I’d written full-length novels before just for fun: NaNoWriMo challenges, things I never intended to publish. But this time was different. This story mattered. This story felt like the one.

    And for ten plus years, I did what so many aspiring authors do: I spun my wheels. I took notes. I “researched.” I wrote and re-edited the same few chapters over and over. I convinced myself I was “working on it,” but I wasn’t moving forward.

    I was stuck. And the longer I stayed stuck, the more my self-doubt grew.


    Why Self-Doubt Isn’t What You Think It Is

    Most people think self-doubt comes from a fear of failure. But in my experience, and in the experience of hundreds of authors I’ve coached, it actually comes from a fear of visibility.

    What if people actually read it?
    What if it does take off?
    What if I succeed… and it changes my life?

    Elizabeth Gilbert, in her TED Talk “Your Elusive Creative Genius,” talks about the pressure of following up a massive success (Eat, Pray, Love). She says creativity isn’t about being fearless. It’s about showing up, even when fear is sitting right beside you.

    And when it comes to writing, fear almost always comes along for the ride.

    We often mistake “productive procrastination” (like tweaking our outlines, buying new pens, or rewriting one paragraph for the 30th time) as progress. But it’s often just masked self-doubt.


    Famous Writers Who Felt the Same

    You’re in good company if self-doubt is your constant companion. Some of the most iconic writers in history have battled the same internal resistance.

    Tennessee Williams once said:

    “Success and failure are equally disastrous.”

    Maya Angelou, author of more than 30 books and recipient of dozens of honors, famously said:

    “I’ve written 11 books, and each time I think, ‘Uh-oh, they’re going to find me out now.’”

    Even Anne Lamott, in her brilliant book Bird by Bird, reminds writers that we all start with “sh*tty first drafts.” Everyone. Even the greats.


    What Helped Me Break Free

    It wasn’t until 2019 (over 10 years after that snowy day) that something shifted. I had saved up for a trip and decided to take myself on a solo writing adventure to two of my bucket list destinations: Iceland and Ireland.

    It wasn’t just a vacation. It was a creative pilgrimage.

    I explored by day, wandered beautiful landscapes, and wrote by night. For the first time in a long time, I wasn’t surrounded by distractions. I had the time, space, and mental clarity to finally sit with my story.

    And guess what?

    By the time I left, I had a FINISHED manuscript.

    Was it perfect? No.
    Were there plot holes? Definitely.
    Did it need editing? One million percent.

    But it was DONE.

    That one messy, beautiful, imperfect draft changed everything. It led to not just one published book, but four. And counting.


    The Real Lesson (And What I Teach My Students)

    Here’s what I’ve learned:

    Self-doubt doesn’t disappear. But courage can get louder.

    I still feel fear when I publish something new. But I’ve learned how to move forward anyway.

    That’s why the very first lesson inside my 30 Day Author course is all about overcoming imposter syndrome and silencing your inner critic. Because if you don’t tackle that voice early, it’ll derail your book before you even begin.

    We dive deep into the mindset blocks, the fears, the false beliefs—and dismantle them. Then I walk you through the actual system that helped me (and 600+ other students) finish and publish books that once felt impossible.


    What’s Stopping You Isn’t Talent. It’s Self-Belief

    I want you to hear this:

    You don’t need to be fearless.
    You don’t need to be perfect.
    You don’t need to have it all figured out.

    You just need a system, support, and the willingness to start.

    If you’re sitting on a book idea that won’t let go, I want you to know it’s not too late. And you’re not alone.

    Let today be the day you say: “I’m doing this.”


    ➡️ Ready to finally finish your book?
    Start your journey with 30 Day Author, where the first lesson helps you silence your self-doubt and build momentum from day one.

    👉 Click here to join 30 Day Author

  • How to Build Your Memoir Timeline Without Getting Emotionally Overwhelmed

    How to Build Your Memoir Timeline Without Getting Emotionally Overwhelmed

    Memoir writing can feel like therapy on paper. One minute you’re writing about childhood joy, and the next you’re in tears over a memory you hadn’t revisited in years.

    The emotional weight is real—and so is the overwhelm.

    One of the biggest struggles my memoir clients face is organizing their life story without falling into emotional quicksand. If that sounds familiar, this post is for you.

    Here’s how to create a memoir timeline that keeps you grounded, clear, and empowered (not emotionally drained).

    Before you dive in, schedule a free call with me to map out your memoir—so you can shape your story with clarity, not overwhelm. Let’s take the pressure off and build a timeline that actually works for you.


    Step 1: Choose a Central Theme First

    Before you open old journals or scroll through your camera roll, pause.

    Ask yourself: What is this memoir really about?

    It’s tempting to write about everything—but memoir isn’t autobiography. Memoir is theme-driven. So instead of “my whole life,” focus on:

    • Your healing after loss
    • Your career pivot as a mom
    • Your spiritual journey through crisis

    Once you know the why, you’ll know which stories belong—and which don’t. 

    In Wild by Cheryl Strayed, she doesn’t write about her entire life. She centers the book around one theme: healing from grief after her mother’s death through hiking the Pacific Crest Trail. The hike is the structure—but the theme is emotional recovery and self-discovery.

    Start with a theme, and let that shape which stories stay—and which get set aside.


    Step 2: Use the “Plot Point Post-It” Method

    In Educated by Tara Westover, she structures the book around a few major turning points: her brother’s abuse, her first time stepping into a classroom, her growing sense of doubt about her upbringing, and her eventual decision to leave. You can feel how each story stacks on the last—almost like scene cards on a wall.

    Big shifts in her journey are spaced like stepping stones, not crammed chronologically. It’s deliberate and emotionally digestible.

    Grab a stack of sticky notes and write one key memory per note. Don’t worry about order yet. Just brain-dump every relevant story that fits your theme.

    Then, stick them on a wall or whiteboard and move them around. See the shape of your journey come to life—visually.

    This technique helps you build a timeline without staring at a blank screen. And it keeps you emotionally detached from perfection. 


    Step 3: Label the Emotional Load

    As you build your story map, give each post-it a second color or symbol that tells you how emotionally heavy it is.

    This helps you avoid writing too many heavy scenes in a row—which leads to burnout. Balance intense moments with lighter ones. A funny or heartwarming chapter can be the break your reader (and you) need.

    Jeannette Walls tells deeply painful stories in The Glass Castle—like living in extreme poverty and dealing with parental neglect—but she masterfully balances them with moments of light, mischief, and resilience (like the scene where her dad gives her a star for Christmas).

    Her memoir avoids emotional burnout because the darkness is offset by wonder and humor.


    Step 4: Allow Yourself to Pause, But Not Quit

    If you hit a memory that knocks the wind out of you, take a break. But schedule your return. One of my clients used a 24-hour rule: if she got emotional, she stepped away—but always came back the next day.

    Your healing matters. But so does your voice.

    Know My Name by Chanel Miller is a great example of pausing. This memoir deals with heavy trauma, and Miller’s writing process took years. Her prose is careful, exacting, and raw—but it’s clear she allowed herself space to recover between scenes. Some passages are deeply emotional, while others offer relief through poetic description or cultural reflection.

    Some chapters take your breath away—but they’re followed by space to exhale.


    Step 5: You Don’t Have to Tell Everything

    You’re allowed to keep certain memories private. You don’t owe anyone your full story. Share what you’re ready for—what serves the reader and honors your boundaries.

    Just because it happened doesn’t mean it has to go in the book.

    Gilbert doesn’t give us a tell-all of her marriage or entire childhood in Eat, Pray, Love. She chooses a year in her life to explore spirituality and recovery from heartbreak. She shares what supports the story’s arc—and nothing more.

    Even a memoir about death, such as When Breath Becomes Air by Paul Kalanithi, withholds details that don’t serve the reader or story. His choices are precise. What we get is beautiful and complete—without being exhaustive.

    Boundaries make your story more powerful, not less.

    Memoir is not about complete exposure—it’s about intentional storytelling.


    Step 6: Let Your Timeline Be Flexible

    In Just Kids, Patti Smith weaves through time like a painter working on canvas—moving between her relationship with Robert Mapplethorpe, her artistic awakening, and the energy of 1970s New York. It’s not strictly chronological, but it flows.

    Your timeline is a guide—not a script. As you write, new memories may surface. Some may need to be cut. Others may shift places. Trust yourself to rearrange the pieces until they click. Memoir is alive. Let it breathe and evolve as you do.


    Need Help Mapping Your Memoir?

    Inside my private coaching program, I give you flexible tools like the Memoir Map, the Healing Timeline, and the Scene Sorter to help you organize your story without falling apart emotionally.

    You don’t have to do this alone. And you definitely don’t have to relive your trauma just to write a powerful book.


    Final Thoughts

    Writing a memoir is brave. Organizing it doesn’t have to be brutal.

    Start with your why. Sort your memories. Protect your energy. And know that you can build a beautiful, powerful book—without carrying the emotional weight all at once.

    👉 Schedule a free Memoir Map Strategy session and let’s talk about what it would look like to shape your story—on your terms, with support every step of the way.

  • Stuck on Chapter One? Try This ‘TV Show Method’ to Kickstart Your Plot

    Stuck on Chapter One? Try This ‘TV Show Method’ to Kickstart Your Plot

    Every writer dreads it—that blinking cursor at the top of a blank page. Chapter One feels like it needs to be epic. Perfect. Unforgettable.

    And that pressure? It’s a creativity killer.

    If you’re frozen at the start of your fiction book (or even your memoir), I want to teach you a little trick I call the “TV Show Method.” It’s helped my 30 Day Author students break through the pressure of the first chapter and actually start writing.

    Let’s walk through what this method is, why it works, and how you can use it today.


    What Is the TV Show Method?

    Think of your favorite binge-worthy show. The first episode doesn’t explain everything. It drops you into the action. Something interesting is happening, a character is doing something important, and you’re immediately curious.

    You don’t need the backstory first—you need the hook.

    Your novel should start the same way.


    Step 1: Drop Us Into the Middle of Something

    Great TV shows never open with a character brushing their teeth. They drop you right into the heat of the moment.

    Example 1: Breaking Bad
    The pilot opens with Walter White in his underwear, driving an RV at top speed through the desert. There are dead bodies in the back, a gun on the seat, and sirens in the distance.
    We don’t know who he is, what he’s done, or why he’s doing it—but we have to keep watching to find out.

    Example 2: Scandal
    The first episode begins with a high-stakes job interview that’s actually a cover for a crisis. Olivia Pope is fixing a scandal before we even know who she is—and from moment one, we understand the pace, stakes, and pressure of her world.

    Takeaway: Start with tension, not timeline. Your reader will catch up—but only if you make them care right away.


    Step 2: Introduce Character Through Action

    Let us meet your characters the way TV shows do: by what they do, not what they say about themselves.

    Example 1: The West Wing
    President Bartlet isn’t introduced with a bio. He walks into a room, shuts down a religious extremist with scripture, and suddenly you know everything you need: he’s smart, composed, and not here to play politics.

    Example 2: Fleabag
    In the very first scene, Fleabag breaks the fourth wall to explain the night she’s having—while hiding the fact that she’s just had a major personal breakdown. Her dry humor, self-sabotage, and vulnerability are all baked into what she does, not what she says about herself.

    Takeaway: What your character chooses to do in the first chapter tells us more than any description ever could.


    Step 3: Hint at the Bigger Picture (But Don’t Explain It All)

    TV pilots are brilliant at giving you just enough of the puzzle to keep watching—but never enough to feel “done.”

    Example 1: Lost
    You wake up with Jack on a beach surrounded by wreckage. People are screaming, planes are exploding… and then weird things start happening in the jungle. You get zero exposition, but you’re all in.

    Example 2: Stranger Things
    The first scene shows a child vanishing into thin air—and something strange lurking in the shadows. We don’t get a science lesson. We get a vibe. And it’s chilling.

    Takeaway: Drop clues. Leave questions unanswered. If your reader feels like they’re being handed a puzzle they want to solve, they’ll turn the page.


    Bonus Tip: Write Chapter One LAST

    This might sound wild, but one of my favorite tricks for getting unstuck is to skip Chapter One and come back to it later. Why? Because once you’ve written the rest of your book, you’ll have so much more clarity about how it should begin.

    You’ll understand your characters, your tone, your world—and you’ll know exactly what moment to drop readers into.

    So if Chapter One is keeping you stuck, give yourself permission to write Chapter Two first. Or start in the middle. Just start somewhere.


    Want More Tools Like This?

    Outlining your fiction book doesn’t have to be overwhelming or rigid. Inside 30 Day Author, I’ll teach you flexible plot-building strategies like the TV Show Method, the Scene Stack Framework, and my famous “First Five Scenes” technique that makes Chapter One a breeze.

    You’ll also get daily writing prompts, accountability support, and the confidence to actually finish your book (instead of staring at your screen for weeks on end).


    Just Remember:

    You don’t have to write your first chapter perfectly—you just have to write it boldly. Chapter One isn’t about impressing anyone. It’s about pulling readers in with emotion, energy, and a reason to keep going.

    So go ahead. Drop us into the action. Write like your story is already in motion—because it is.

    👉 Join 30 Day Author and let’s kickstart your story together.

  • How to Write a Nonfiction Book That Doesn’t Sound Like a Textbook

    How to Write a Nonfiction Book That Doesn’t Sound Like a Textbook

    You’ve got expertise. Experience. A message that could change lives. But there’s just one problem…

    You’re terrified your book will sound like one of those dry, academic textbooks people buy—and never actually read.

    If that fear has stopped you from writing your nonfiction book, I’ve got good news: you don’t have to sound boring to be credible. In fact, the most powerful nonfiction books read like heartfelt conversations, not lectures.

    Here’s how to write a nonfiction book that keeps your authority and your reader’s attention (without sounding like you’re assigning homework).

    Before you dive in, grab a free call with me ($249 value totally free) to map out your nonfiction book—so you can finally get it out of your head and onto the page with a clear plan.


    1. Start With a Story, Not a Stat

    Most people think they need to start a chapter with a bold claim or an impressive statistic. But what readers really connect with is story.

    Whether you’re writing about productivity, wellness, leadership, or parenting—your first job is to help the reader feel something. A quick anecdote, a real-life example, even a moment from your own journey will pull them in faster than any research paper ever could.

    In her bestselling nonfiction book Daring Greatly, Brené Brown doesn’t open with a definition of vulnerability or a chart from her research. She starts with a story. Specifically, she tells the story of standing backstage at TEDx Houston, moments before delivering the talk that would go viral and change her life.

    She describes her anxiety, her fear of being “too much,” and the personal reckoning she experienced leading up to that moment. It’s intimate, real, and instantly hooks the reader. You feel her nerves. You understand the stakes. You trust her—not because of her credentials, but because she’s letting you into her world.

    Then—after the story—she begins unpacking the deeper concepts about vulnerability, shame, and courage.

    Pro tip: Follow Brené’s lead. Let your reader feel the concept before you explain it. That’s what makes it stick. Start every chapter with a personal or client story. THEN explain the concept.


    2. Use Casual Language (Even If You’re an Expert)

    You don’t need fancy words or academic phrasing to prove your expertise. In fact, that often has the opposite effect—it distances your reader.

    Say “you’ll feel stuck” instead of “you may encounter a psychological resistance pattern.”
    Say “here’s how to fix it” instead of “here are the methodologies one might apply.”

    Write like you talk. That’s how readers trust you.

    Mel Robbins is a former criminal defense attorney and CNN legal analyst. She could’ve easily written a book dripping with formal language, dense theory, and psychological jargon.

    Instead? She writes like she’s talking to her best friend over coffee.

    Right from page one of The 5 Second Rule, Robbins says things like:

    “There’s one thing that is guaranteed to increase your feelings of control over your life: a bias toward action.”

    She doesn’t say “demonstrating behavioral activation tendencies in real-time contexts.” She just says: “Start before you’re ready.”

    Her tone is friendly, punchy, and ultra-relatable—which is exactly why the book resonated with millions of readers across the world.

    Pro tip: You don’t sound more professional by using big words. You sound more human by using real ones.


    3. Teach in Tiny Bites

    People skim. It’s just the reality of how we read now.

    So if your nonfiction book is packed with 10-page chapters and dense paragraphs, you’ll lose them. Instead, write in short sections with clear headers. Break down your main ideas into 3–5 digestible takeaways per chapter.

    James Clear didn’t just write a book on habits—he rewrote the playbook on how to structure nonfiction so it’s irresistible to read.

    In Atomic Habits, each chapter is broken down into ultra-clear sections with bold headers, short paragraphs, and punchy summaries. He ends chapters with “Key Takeaways”—literal bullet points that recap the core message in 30 seconds or less.

    Instead of overloading readers with theory, he breaks big concepts into manageable pieces like:

    • “Make it obvious”
    • “Make it attractive”
    • “Make it easy”
    • “Make it satisfying”

    These tiny bites become sticky, repeatable frameworks readers can apply instantly. You don’t need to wade through pages of fluff to find the gold—Clear delivers it up front, clearly labeled and easy to act on.

    Think of each chapter like a mini-workshop: What’s the ONE transformation your reader should walk away with?


    4. Don’t Be Afraid to Get Personal

    I work with so many women who say: “But who am I to write this book?” My answer is always the same: your lived experience matters. Your struggles, your growth, your awkward learning curve—those are the most important parts of your book.

    Your reader doesn’t need a perfect expert. They need a guide who’s been there.

    Glennon Doyle didn’t write Untamed as an expert handing down advice. She wrote it as a woman figuring things out in real-time—fumbling, questioning, rebuilding.

    The book is deeply personal, raw, and relatable. She shares stories of her marriage falling apart, falling in love again, parenting through chaos, and unlearning societal expectations. She doesn’t position herself as a “self-help guru.” She invites you to walk beside her.

    And that’s what makes it powerful.

    One of the most quoted lines in the book—“We can do hard things”—isn’t powerful because it’s clever. It’s powerful because it comes from lived, messy, real experience.

    You don’t need to have it all figured out to write a book. You just need to be willing to show what you lived through—and what you learned along the way.

    So tell the story of how you figured it out. What didn’t work. What surprised you. That’s what makes your book unputdownable.


    5. Give Your Reader Wins Along the Way

    If you’re asking your reader to invest several hours in your book, give them wins throughout the journey.

    Include checklists, quick exercises, reflection questions, or simple frameworks they can use immediately.

    That way, they’re not just reading your book—they’re doing something with it. And that’s how books change lives.

    Marie Forleo doesn’t just tell you to believe in yourself—she walks you through it.

    Throughout Everything is Figureoutable, she gives readers short, actionable exercises at the end of nearly every chapter. Some are journaling prompts, others are quick mindset resets or small behavior challenges. Each one is designed to reinforce the lesson in a tangible way.

    This keeps the reader engaged—and empowered. Even if they only read one chapter a day, they walk away with a sense of momentum and clarity.

    Instead of waiting until the end of the book for a big transformation, Marie gives her audience micro-wins that add up fast.

    Pro tip: Give your readers something they can do with every chapter—so they’re not just absorbing your book, they’re applying it to their life.


    6. Build Momentum—Not Pressure

    Julia Cameron’s The Artist’s Way isn’t about writing a perfect book—it’s about starting.

    Her approach focuses on low-pressure, high-consistency habits like “morning pages”—three handwritten, stream-of-consciousness pages each morning—not for publication, but to build creative momentum. This simple, doable practice has helped thousands of writers and artists reconnect with their creativity without the pressure to perform.

    She doesn’t ask you to churn out chapters or commit to a huge outline upfront. She just says: start writing anything. Show up for the page. The rest will follow.

    That’s why The Artist’s Way has remained a creative recovery classic for over 30 years—it’s built for real life, not ideal conditions.

    The hardest part isn’t writing your book—it’s starting it.

    That’s why I created 30 Day Author, a step-by-step system to help you outline, write, and finish your nonfiction book without burnout. No academic tone. No endless drafts. Just clarity, confidence, and a completed manuscript.

    Whether you’re writing a self-help book, a how-to, or a personal development guide, this process gives you the structure to finish without sounding like a textbook.


    Final Thoughts

    Your book doesn’t need to sound smart. It needs to feel real. That’s what keeps readers turning pages.

    So if you’re worried about boring your audience, take a deep breath. You’ve got this. You already have everything you need to write a nonfiction book that sounds like you. Need more support?

    👉  Book a free call with me, and let’s map out your book—so it’s clear, honest, and impossible to put down.

  • Yes, You Can Write a Whole Book Using Voice Notes—Here’s How I Help My Clients Do It

    Yes, You Can Write a Whole Book Using Voice Notes—Here’s How I Help My Clients Do It

    Picture this: You’re folding laundry, walking the dog, or waiting in the school pickup line… and you’re writing your book at the same time.

    Sounds impossible? It’s not.

    As a book coach for busy moms and multi-tasking women, I’ve helped dozens of writers ditch the laptop and embrace a game-changing tool: their voice. Voice notes have become my secret weapon for getting clients to finish their first draft faster than they ever thought possible.

    Here’s exactly how to write your whole book using voice notes—without losing structure, momentum, or your sanity.


    Step 1: Pick the Right Tool for Recording

    There are dozens of free apps you can use, but here are my top three favorites:

    • Voice Memos (iPhone users): simple, reliable, and built-in
    • Otter.ai: records and automatically transcribes your notes
    • Google Keep: great for Android users with added note organization

    Use what’s easiest to access—because convenience is key when you’re juggling a million things.


    Step 2: Outline Before You Talk

    Voice note writing works best when you already have a basic structure. This doesn’t have to be complicated! Just create a quick bullet point list of what you want to say in each chapter. Think of it like a phone call—what’s the main story or point you’re trying to get across?

    Want help building an outline fast? That’s built into my 30 Day Author program—so you never sit down (or pace around) not knowing what to say next.


    Step 3: Talk Like You’re Telling a Friend

    Here’s the magic: when you speak your story, you skip the inner critic that slows down your writing. You stop trying to sound perfect. You just talk. And that’s when the real, raw, beautiful version of your book shows up.

    Whether you’re writing nonfiction, a how-to, or a memoir—this method works. One of my clients recorded an entire 40,000-word book in her minivan between appointments. No fancy office required.

    Don’t worry about “getting it right.” Get it recorded. That’s your first draft.


    Step 4: Transcribe and Edit (Don’t Panic)

    Once you’ve got your voice recordings, it’s time to transcribe. Use tools like:

    Then, treat your transcript as your first draft—not your final version. Spoken language is raw. But it’s easier to edit something messy than to face a blank page.

    You’ll notice patterns. Stories that flow better than you thought. And yes, a few awkward rambles. That’s okay! All of it is gold for shaping your manuscript.


    Step 5: Set Realistic Voice Goals

    You don’t have to record your whole book in one breath. Aim for one section or scene at a time. A good voice note might be 10–15 minutes long, which often yields 1,000–2,000 words once transcribed.

    That’s one chapter done. And you didn’t even sit at your desk.


    Bonus: Voice Notes Are Perfect for Emotional Chapters

    Many of my memoir students find it easier to talk through emotional chapters than to write them. It feels more natural—and more healing—to speak the story out loud.

    You can always come back later and shape the structure, but don’t underestimate how powerful this process can be for capturing true voice.


    You Don’t Have to Figure This Out Alone

    Voice note writing is perfect if you’re short on time, full of ideas, and need a flexible system that works around your life.

    You don’t need to “find the time” to write. You just have to start using the time you already have more creatively.

    And if you’re ready to stop waiting for a quiet moment to magically appear, join 30 Day Author. I’ll show you exactly how to use tools like voice notes, outlines, and quick-draft templates to finally finish your book—in your real, messy, wonderful life.

    👉 Join the 30 Day Author Program and let’s write this book—your way.

  • The 3 Things Secretly Killing Your Writing Time (and how to take it back)

    The 3 Things Secretly Killing Your Writing Time (and how to take it back)

    If you’ve been staring at the same blinking cursor for days, wondering where your time (and your motivation) went… you’re not alone.

    As a book coach for busy women (especially moms), I hear this all the time: “I want to write my book, but I just don’t have the time!” But here’s the truth—time isn’t always the problem. The real culprits are often sneaky little habits stealing your attention without you even realizing it.

    Let’s talk about the 3 things secretly killing your writing time—and how to take your power back.

    Want to finally get your book done? Check out 30 Day Author—the smart, time-saving writing system that shows you exactly what to do from page one to published.


    1. The Trap of the Overloaded To-Do List

    We wear busyness like a badge of honor. But if your to-do list reads more like a grocery receipt, there’s a good chance your book keeps getting bumped to the bottom.

    The Fix: Instead of adding your book to a list of 87 tasks, treat it like a non-negotiable appointment. Block it out in your calendar—even 30 minutes a day counts. And here’s a mindset shift: your book is not “extra.” It’s a gift to your future self, your family, and maybe even the world.


    2. Micro-Distractions That Multiply

    You open your laptop to write… but then remember to check an email. Or refill your coffee. Or peek at Instagram “for just a sec.”

    These micro-distractions stack up. And before you know it, your writing window is gone.

    The Fix: Try “temptation bundling.” Pair writing with something enjoyable—like a cozy drink or your favorite playlist—and nothing else. Shut off notifications, use a timer, and treat those 25-30 minutes like sacred focus time.


    3. The Myth of “Needing More Time”

    Let me say this gently: if you’re waiting for life to slow down before you write your book… you’ll never write your book.

    The Fix: Use the life you have now. You don’t need three free hours or a secluded writing retreat. You need 30-45 minutes of focused energy and a system that helps you stay on track.

    That’s exactly why I created the 30 Day Author program. It’s a self-paced writing system for real people with real responsibilities. You’ll learn how to structure your draft, stay accountable, and finally finish that book—without burning out.


    Final Thoughts

    Writing a book doesn’t require a completely cleared calendar. It requires clarity, intention, and small, consistent actions. The good news? You’ve already taken the first step by reading this post.

    Now take the next step: Let me walk you through the exact system that’s helped hundreds of women write their books in 30 days or less.

    👉 Join 30 Day Author today and let’s finish your book—together.

  • How to Stop Procrastinating and Start Writing Your Book—Even If You’re Exhausted

    How to Stop Procrastinating and Start Writing Your Book—Even If You’re Exhausted

    Raise your hand if you’ve ever said: “I’ll start writing when I have more time.”

    I get it. Between family, work, school drop-offs, and the occasional moment to breathe (maybe), writing a book feels like a luxury you can’t afford. But what if I told you that procrastination isn’t your fault—and you can start writing your book even in the midst of chaos?

    In this post, I’m going to show you why your brain is resisting the writing process and exactly how to trick it into finally getting started.

    Before you dive in, save your spot for 30 Day Author—the step-by-step system to finally finish your book in just 30 minutes a day.

    Why Procrastination Happens (Especially for Moms and Multi-Tasking Women) Procrastination often disguises itself as busyness. You’re not lazy—you’re overwhelmed.

    When your brain is juggling:

    • Kid schedules
    • Work deadlines
    • Dinner planning
    • Mental health

    …writing a book becomes the lowest priority. Not because it doesn’t matter—but because it feels like one more thing.

    But your story deserves space. And you deserve the satisfaction of finishing that first draft.

    The Psychology Behind the Resistance Your brain loves what’s familiar. And writing a book? That’s unfamiliar territory. It’s vulnerable. It’s uncharted. So your brain goes, “Hey, let’s reorganize the spice cabinet instead!”

    The trick? Lower the resistance.

    Step 1: Ditch the 1-Hour Writing Session Rule

    You don’t need a two-hour writing window. You don’t even need one hour. What you need is:

    • A short burst of focus (try 10 minutes!)
    • A simple goal (write 100 words or voice note one idea)
    • A zero-pressure mindset (no one is grading this)

    Start small and you’ll be shocked at how easy it is to keep going once you start.

    Step 2: Create a Micro-Ritual

    Instead of waiting for motivation, create a ritual. Maybe it’s lighting a candle, making tea, or putting on a playlist. This becomes your brain’s cue: “It’s writing time.”

    Pro tip: Do this even if you don’t feel like writing. The habit builds before the motivation shows up.

    Step 3: Make It Ridiculously Easy

    Try this:

    • Open a blank doc
    • Write the first sentence that comes to mind
    • Or dictate into your phone while folding laundry

    The goal isn’t perfection—it’s movement.

    Bonus Hack: Use the Anti-Hustle Writing Sprint Method Set a timer for 10 minutes. Write anything. When the timer ends, you’re done. Celebrate it. Writing in short sprints trains your brain to associate writing with quick wins, not long-haul suffering.

    You’re Not Failing—You’re Just Missing a Plan When my students in the 30 Day Author Program start with these small shifts, they’re able to move from procrastination to real momentum.

    They’re not working harder. They’re working differently.

    Here’s what they learn in 30 Day Author:

    • How to finish a book even with a packed schedule
    • How to write with confidence (and a plan!)
    • How to turn voice notes, messy drafts, and scattered ideas into a real manuscript

    READY TO FINALLY START WRITING YOUR BOOK? JOIN HUNDREDS OF OTHER ASPIRING AUTHORS INSIDE 30 DAY AUTHOR. IT’S THE STEP-BY-STEP SYSTEM TO FINISH YOUR FIRST DRAFT—WITHOUT BURNOUT, PERFECTIONISM, OR ENDLESS PROCRASTINATION.

  • Writer’s Mindset: How to Think Like a Successful Author

    Writer’s Mindset: How to Think Like a Successful Author

    You can learn all the writing techniques in the world—but if your mindset isn’t strong, staying consistent and finishing your book can feel impossible. The truth is, successful authors think differently. They approach their creative work with intention, resilience, and just enough grit to keep going when things get tough.

    So how do you develop a mindset that helps you write more consistently, push through blocks, and actually finish what you start? Let’s break down the core habits of successful writers—and how you can adopt them too.


    1. Focus on Progress, Not Perfection

    Successful writers don’t wait for the “perfect” time, mood, or idea to write. They know that momentum beats perfection every time.

    Instead of obsessing over the perfect first sentence, they focus on getting the first draft done. They stay positive by setting small, realistic goals (like 500 words a day or one scene per session) and celebrating the wins as they go.

    “You can always edit a bad page. You can’t edit a blank page.”
    Jodi Picoult

    Mindset shift: Done is better than perfect. You can’t edit a blank page.

    2. Take Action—Even When You Don’t Feel Ready

    Writers with a winning mindset don’t wait for inspiration to strike—they create routines that help them show up consistently. They understand that writing is an action, not a mood. Whether it’s 10 minutes in the carpool line or a power hour before bed, they write anyway.

    They also treat their writing like a real commitment—because it is.

    “Amateurs sit and wait for inspiration, the rest of us just get up and go to work.”
    Stephen King

    Mindset shift: Inspiration often follows action. Start writing, and the spark will come.

    3. Stay Curious and Open to the Process

    Writers who succeed long-term are open-minded. They’re willing to try a new outlining method, rewrite a messy draft, or scrap a character that isn’t working. They aren’t precious about their words—they’re invested in making the book better.

    And when rejection or self-doubt shows up (because it always does), they don’t take it as a sign to quit. They see it as part of the journey—and keep going.

    “If you’re always trying to be normal, you will never know how amazing you can be.”
    Maya Angelou

    Mindset shift: Flexibility is a superpower. Be willing to explore, adapt, and learn.


    Final Takeaway: Writing Success Starts in Your Head

    Thinking like a successful writer doesn’t require special talent—it just takes practice. And it doesn’t matter if you’re writing a memoir, a fantasy novel, or a blog series. When you commit to a mindset of progress, action, and creative flexibility, writing becomes less of a battle—and more of a practice you actually enjoy.

    Remember:
    You don’t have to write perfectly.
    You don’t have to write a lot.
    You just have to keep writing.

    “A professional writer is an amateur who didn’t quit.”
    Richard Bach

    👉 Want help staying focused and finishing your book in just 30 minutes a day?
    Join 30 Day Author and let’s build your writing momentum together.